一系列的小故事将乘坐同一架飞机的人们的生活联系在了一起。

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.

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A group of incarcerated men from Calipatria State Prison participate in a theatrical workshop with Tim Robbins’ theatre company, The Actors’ Gang. Defying racial barriers and gang affiliations, the men tap into emotions that have long been dormant while unexpected bonds emerge between former enemies.

During a party, Gaby begins to suspect that spreading rumours of a football team gang-bang may well involve her best friend, Carla.

Adventuress Lola Montez has a romance with a Portugese revolutionist, and she takes the place of her lover before a firing squad. Will she live to rejoin her lover across the Spanish border?

Two women, Hae-na and Hee-na, prey on men under the pretense of marriage. One of these men is a doctor who falls for Hae-na and showers her with luxury gifts, but that's all he does. She can hardly get in touch physically with him. Meanwhile, Hae-na meets Ji-hoon, her former lover, again by chance, but after finding out about his relationship with Hee-na, the three decide to pursue money rather than love and start working for the men around them.

Follows the story of Seconds Khumalo, a retiring boxer from the East Rand preparing for his final fight. Seconds is left to train under Jerry van Tonder, an ill-equipped 32 year-old daddy's boy, his father Pa van Tonder trained Second for years but after the family feels threatened that an unspoken contract might be broken, they are left with no choice but to end matters on their own terms.

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